Jennifer Lopez continued her designer style streak in Richard Quinn for Wednesday night’s premiere of “Office Romance” in London.

Zak Hussein
The actress and singer wore a look from the London-based designer‘s fall 2026 collection, which heightened color contrast in dark shades and vibrant pink tones. Lopez’s dress was crafted with a black, long-sleeve top and a high neckline covered in shimmering sequins.
The fitted top transitioned to a fuchsia bow embellishment at the waist with a glittering jewel. The floor-length fuchsia skirt included fabric draping and a streamlined design, with dropped material at the hips providing further dimension to the overall look.

Jennifer Lopez
Zak Hussein
As for accessories, Lopez wore statement dangling diamond earrings and accentuated the shimmering motif of her red carpet look with rings by Hassanzadeh. The “Jenny from the Block” singer carried a Tyler Ellis clutch and wore Jimmy Choo heels to complete her attire.
Lopez’s hair was styled by Justine Marjan and coiffed in a slicked-back ponytail. Her makeup, by artist Ernesto Casillas, featured bold brows and a smoky, dramatically lined eye with Lopez’s signature glossy nude lip. Styling duo Rob Zangardi and Mariel Haenn curated the actress and singer’s look.

Jennifer Lopez
Zak Hussein
Lopez’s “Office Romance” promotional tour wardrobe has been full of dramatic looks with touches of romance throughout. At the film’s New York City premiere on Tuesday night, the actress turned to Miss Sohee’s spring 2025 couture collection for her floral-embellished gown.
Along with romantic designs, Lopez showed a penchant for retro pieces on May 26 at the Los Angeles premiere of the film, at which she wore a gown from Atelier Versace’s spring 2004 couture collection.

Jennifer Lopez
Zak Hussein
“Office Romance” follows Jackie Cruz, played by Lopez, a high-powered CEO of an aviation company whose strict anti-fraternization policy at the office is tested when lawyer Daniel, played by Brett Goldstein, joins her team. The film hits Netflix Friday.
